Entryways: Nontsikelelo Mutiti

Entryways: Nontsikelelo Mutiti, is a captivating exhibition hosted by the Institute of Contemporary Art in Philadelphia. Through the lens of artist Nontsikelelo Mutiti, viewers are invited to explore themes of migration, displacement, and cultural identity. Mutiti's multidisciplinary approach, incorporating photography, printmaking, and installation, offers a thought-provoking exploration of the complex intersections between personal history and collective experience.

Nontsikelelo Mutiti
, ‎"
Entryways
‎"
‎ (
2024
), ‎
Courtesy of the artist

Institute of Contemporary Art at the University of Pennsylvania (ICA Philadelphia), 118 S 36th St, Philadelphia, PA 19104. Runs through December 1, 2024.

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Exhibition Description

"Entryways: Nontsikelelo Mutiti" is the inaugural project for a new series that commissions artists to activate the façade of ICA’s building in partnership with Maharam, North America’s leading creator of textiles for commercial and residential interiors. For the 2024 edition, ICA invited Nontsikelelo Mutiti, a Zimbabwean-born visual artist and educator, to reimagine the windows. In the resulting work, Mutiti combined African hair braiding patterns and hair clips with symbols often found in ironwork. Mutiti is deeply interested in the cultures and communities that are formed in hair salons globally, and often incorporates braids in her work as markers of identity, migration, and culture. Similarly, the use of symbols in ironwork, particularly Adinkra symbols from West Africa, are present visually almost everywhere these decorative architectural features are found. These forms were first created by enslaved blacksmiths from West Africa and have become a shared diasporic visual language. The designs are now found across the African diaspora including in Philadelphia and the broader United States. In the same way that hair braiders continue the practice of these braiding systems, ironworkers, and now restoration workers, ensure the survival and persistence of these symbols as important cultural markers." -

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